Revealing JW Anderson’s latest assortment without a conventional runway show, because of the continuous pandemic, he rather sent would-be visitors an intelligent booklet highlighting photos of models in different new looks that could be removed and played with. It was shrewd, low-fi and an update that style is at last about making things. 着圧レギンス 選び方

Anderson is a gatherer of items, and is energetic about supporting craftspeople and creators through displays and drives like the Loewe Art Prize (“make is the one of the bedrocks of innovativeness,” he says). He is likewise an inventive polymath who joyfully moves between high-forehead and standard impacts, with references taking off and plunging between craftsmanship history and mainstream society.

In “Rebellious Bodies,” a 2017 show he organized at the Barbara Hepworth gallery in Wakefield, Britain, Anderson united high workmanship and style: Non-literal models by Henry Moore and Louise Middle class remained close by design from the documents of Jean Paul Gaultier and Rei Kawakubo. He said, at that point, that there was “an energy about the exchange of these two characters addressing one another.”